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“Knights” must be hit by the masses

You cannot ask for a better team to revive the type of gangs.

Director Barry Levinson gave us 1991. Robert De Niro, well, Nouf said.

The trio of “The Alto Knights”, which works better as a reminder to watch “Bugsy”, “Goodfellas” or any “Fockers” De Niro Flick.

Even “Rocky & Bullwinkle adventures”.

The drama, based on real events, makes a catastrophic mistake before the movie opens. The casting option may have destroyed “Alto Forsan” on its own, but do not leave the terrible scenario.

He is equal to make an equal basis in making “Knights” worse with a candidate 2025.

De Niro plays the role of Frank Costilo, the crime head who never holds a pistol and avoids the most seed side of his profession. He has served him well over the years, but his calm competition with Chum Vito Genovese (De niro, again) threatens this uncomfortable peace.

Wait … De Niro plays both threads? Are the characters twins? no. Are they brothers. no.

So … why? Sit through “The Alto Knights” and you will not find the answer.

It is a distraction that cannot be shaken by the film, but it ends up to be one of many sins committed over two hours and two brutality.

The early moments of the film are characterized by emptying the exhibition with crowded Levinson options. We are hitting black and white images, rough camera works and the background of memories to the footage of the 1950s.

It is unnecessary and leaves us feel upset, not involved.

The film’s time spasms are not useful either. Frank Costilo of De Niro Krawi Shatti works, indicating that the film has undergone major adjustments and needs something to sew the narration in place.

It does not always work, leaving an intermittent movie with a strange story. Think of Vito’s wife (“Soprano” Catherine Narduchi), who moves from a lover’s wife to his enemy without scenes of her transfer.

“Jarring” barely describes it.

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The Pileggi scenario continues to tell us how we feel and what we think about, and violates the first number on buses.

They appear, do not tell. worst?

The basic topics and character features are repeated in the same way without much in the way of depth or development. It seems impossible to contradict the competition of mobs in real life, but Levinson is sad at the level of the mission.

The reliable production values ​​of the film offer some comfort, and some cultural touches suggest that the creative team understands gang culture.

Moreover, we left us watching two De niros are fighting for the relationship between fencing difficulties. We were told that they are friends for life with different views about “work”. What we see are two men of life with a few common denominators behind the joke “Return in the Elderly Days”.

Sometimes, “The Alto Knights” is a warning tale related to the American dream, but even this sub -text is lost early and never recovered.

Abs Dibra affects the new Joach tone as Frank’s wife, but she was not given enough to do her and rarely embody her complex marriage. She is desperate to seduce gangs, but he is not very interested in achieving this.

Yes, only when you think you are outside, they pull you. But they were not able to burn at least some calories to achieve this goal?

Secondary characters add color but little depth.

His colleague “Soprano” gives Michael Reesbo the movie a fashionable courtyard, but the comparison “Knights” with the classic HBO series is never expelled.

The same can be said about gang classics such as “goodfellas” or “The Godfather”. The team behind “The Alto Knights” knew the risk of reviewing this type of mob. The main players rose to almost all the fire on their way.

Miss beaten or queenThe “The Alto Knights” begins with a terrible casting decision and grows worse than there.

The fans should appear “Alto Knights” by the fans who first appeared on Hollywood in Toto.

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