The Crows Rate in Dylan South Fiction is the first time, which is the haunting story of a middle -aged man related to sudden and unexpected death of his wife, the mother of his two sons. In terms of type, it is difficult to put, and sit somewhere between social drama and increased terror; If Ken Luchec dream BabadoukIt may seem like this. South-known as such full and experimental documents Shut up and play visits (2012) and Meet me in the bathroom (2022) – The immediate, visceral immediate films were destroyed into a very raw and emotional theme. Despite all the arts behind it, however,, The thing with feathers The division is likely to be proven. For the shock survivors, this is likely to be grilled, but for others more fortunate, its perfect photography may be a very uncomfortable touch.
This is one of those films where characters do not contain names, so the father is just a father. Pordek Comprosch plays him, an artist of some kind. Some people call “comic books”, while others are called “graphic novels”, a term believed to be “Wanky”. It was indicated by his result in the credit sequence in the film’s atmosphere, as the coarse pencil pencil attacks a white paper, which intensified its phobia through the use of the intimate director of the Oscar. Random words and calm are accompanied by images of bright black birds (“Sad Abi”, “She Gone”), so it is not a big surprise when the screen turns into a black design and an audio design, an economical visualization of an invisible funeral.
Abi says to his young father, who confirms the fact that both of them have achieved good today. More modern when he swings. “It is somewhat similar clinical.
My father tries to keep things together, send his children to school, feed them and read them at night (although the folkloric story of Papa Yaja may not be the most suitable material for the pre -teenagers). But modern events continue to create it, and although we hear them and never see them, the effect is shining as if we had. There was blood, it was on the ground, she was not breathing.
At this time, the film’s discount makes itself known. Crow, expressed by David Thewlis, is one of Abi’s artistic creations, but it is now starting from the page and in the real world. The crow completely contradicts what is happening in the real world: your father wants his father to reconcile with things, but my father is not sure that he wants to do so; Just package his memories and put them in storage. On the contrary, Crowe believes in a more “curative” way, mocking my father in its lowest moments with insults and violence. “Come, do the worst of what you have,” said. “No,” says Crow better“
With some accidental overlap from the outside world, this brutal debate between my father and Crowe is largely essential The thing with feathersAnd something that the south is completely shown in an intense scene in a drunk state designed on the screaming of “Mao Mao”. Being the product of my father’s mind, Crowe really knows how to harm him, and mock his liberal inclinations, and the worst of that described his artwork as “Faki Eyen Jeep).
All this is based on an impressive study of excessive self, and the mental state of my father, although it has been dealt with accurately, will be known to anyone even adjacent remotely for such seismic loss: his lack of desire to see visitors, and his inability to make phone calls, And phone calls, he refused to accept reality (in a beautifully fraught and hidden touch, if his late wife’s face either unprecedented or unclear, which is a devastating evocation of bereavement). As an artwork, The thing with feathers It is a special thing, a great connection card for the floor to wait. As a movie, it will not be (and may not be) to everyone; An article on deaths that excite her beauty and capacity with the truth.
address: The thing with feathers
festival: Sandans (first offer)
Sales agent: MK2
exit: Southern Dylan
screenwriter: Southern Dylan, from the book 2016 Sadness is the thing with feathers Written by Max Porter.
Empty: Benedict Comprousch, Richard Boxal, Henry Bokal, Eric Lambert, Venetian Robinson, Sam Spril
Running time: 1 hour 38 minutes